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February 23, 2026


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Essay · Process

Essay · Process

The monkish art of deep work.

What two monastics and one Shopify engineer have in common, and what it teaches us about writing software under late capitalism.


BY MAYA CHEN

·

February 23, 2026

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10 min read

A single figure walking a mist-filled path in the first light.

FIG. 1 · A single figure walking a mist-filled path in the first light.

I spent a week in a Benedictine monastery in northern Italy because a friend told me it would teach me how to focus. He was, in retrospect, only half-right. What it taught me was how the absence of choice is itself a kind of attention.

The monks rise at four. They pray. They eat in silence. They work in the garden, in the kitchen, in the bindery. At seven they pray again. By the time the sun comes through the cloister window, they have already done five hours of what the productivity industry calls deep work — except they don't call it that, because they have not heard of the productivity industry, and would not be impressed if they had.

What I noticed, watching them, is that the structure does the work. They are not deciding when to focus. They are not negotiating with their inbox. They are not, importantly, choosing whether the morning will be deep or shallow. The bell rings; the page opens; the hands begin.

Attention is not a muscle you build. It's a room you build. The bell is the door.

I came home and tried to keep one habit from the week: no email until eleven. Three years later, this is the only rule I have not broken. It is also the rule that has, by a wide margin, made the most difference. Every essay I am proud of was written before lunch. Every essay I am embarrassed by was written after.

The Shopify engineer in the title of this essay is named Tobi Lütke, and his calendar is famously empty. He blocks his mornings for what he calls thinking. He has talked publicly about how much he reads, and how much he refuses to do. He is also, not coincidentally, one of the few CEOs I have heard speak about software the way a craftsman speaks about a chair he is still building.

The lesson, I think, is that deep work is not a personal triumph of will. It is an architecture. You build it once, with hard walls and a clear bell, and then you live inside it. The monks understood this six hundred years before the rest of us did. The rest of us are catching up.

¶ — MC


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